Auditions

We are not currently auditioning - watch this space for details on our next show, Kiss Me Kate!

 

Audition approach:

Our approach to auditions and casting
 
Anyone is welcome to audition. If you're not a paid up member at the time of auditioning, you'll need to pay a £10 audition fee, which will be offset against your show fee if you're cast. In order to join the cast and perform in the show, you'll need to pay an annual membership fee (£20 standing order, or £25 cash). 

We will try to audition everyone that wants to take part; but this may not be possible if your audition form is submitted after the given deadline, or the number of available audition slots has been exceeded. 

Auditions are closed, and take place in front of a panel of at least three people, including at least one committee member, plus the show's production team. 

The cast itself

The creative team will specify the size of cast required for the show, based on the theatre capacity, along with the singing/dancing/acting skills required for each role. 

Cygnets will always strive to have a cast containing a good mix of members and non-members (where, in this context, a 'member' is either a paid up member, or has been in two or more Cygnet shows in the past), to ensure that the membership is well represented. 

The cast will be chosen by the audition panel, taking into account: 

  • The ability to perform the requirements of the role
  • Suitability for the role 
  • Ability to attend the rehearsals and performance period 

Other guidelines 

  • If you're recalled for a principal part, you will be offered a part in the ensemble (as long as the show contains an ensemble, and you've indicated that you'd accept an ensemble place). 
  • If a member and non-member are on completely equal paring for a role, the balance of members and non-members will be considered before selecting who is cast. 
  • All roles should be cast from those who audition, unless the whole panel unanimously agrees that there is no-one suitable for a particular role. 

Show Reviews

"This was quite simply an exceptional show that oozed class and quality throughout."

"The quality of the band, and music produced, was of a very high class and never overshadowed those speaking or singing."

"Kim Findlay (Choreographer) ensured this show delivered what was expected – a truly stunning visual spectacle from a 17-strong tap dancing ensemble. The quality of dancing, precision and timing were nothing short of superb."

"The extremely versatile, and talented, Nick Moorhouse was perfectly cast in the lead male role of Jerry Travers. The sheer quality of dancing, whilst singing, was exceptional and appeared almost effortless."

Des Wilby
NODA Review

"Charlotte Donald, who I have seen tread the boards many times for Cygnet Players, was Dale Tremont. This is possibly my favourite role I have seen her in as it really showed off her dance ability and as that famous line goes, she did it all backwards and in heels!"

"Adam Walker-Galbraith verges on stealing the show as the hilarious Beddini. His attention to detail in his character ensured that he ensured every moment he was on stage was pure comedy."

"Top Hat is a show Cygnet Players should be proud of. With polished dance, strong principals and ensemble and an impressive set works together to create an enjoyable and impressive show."

Sarah McPartlan
Musical Theatre Musings Review

"Huge congratulations must go to Adam Walker-Galbraith on his musical directing debut and for delivering such a resounding success. The non-stop action, and overall pace, ensured the audience was immediately involved in, and remained enthralled throughout, the entire show. As musical directing debuts go, this was a fantastic achievement and something to look back on with pride."

"Congratulations must also be given to Lauren O’Mara who choreographed this show superbly."

"Jamie Miller-Hughes was truly fantastic in the hugely demanding role of Doralee. Not only did Jamie look, and act, the part of a country girl but she sang beautifully and had a terrific Southern accent."

"Kate Chesworth excelled as Violet, the long suffering supervisor who’d been repeatedly passed over for promotion in a male-dominated office environment. Kate’s acting and singing were both superb and I particularly enjoyed ‘Around Here’, where she introduced Judy to Consolidated Industries’ lengthy list of high expectations."

"This truly was an excellent performance, a very enjoyable afternoon’s entertainment, and most definitely ‘value for money’ in anyone’s eyes."

Des Wilby
Noda Review

"Cygnet Players is fortunate to have a formidable trio of women take on (the lead) roles. The moments where these 3 women were on stage fronting a number were consistently high standard and really stood out."

"Charlotte Donald ... had a nice vulnerability and awkwardness about her and knew how to time her comedy well. Her big number 'Get Out and Stay Out' deservedly drew cheers from the audience."

Sarah McPartlan
Musical Theatre Musings Review

 

“Cygnet Players should once again be rightly proud of what they achieved with Dirty Rotten Scoundrels. Comedy is notoriously difficult to do well but they sailed through this with ease, giving us frequent laughs, toe-tapping dance routines and left me wanting to download the cast recording so I could re-live some of the numbers.”

 “Rachel Kitchen’s portrayal of Jolene was one of the highlights of the show for me. She had great energy and led the number Oklahoma brilliantly.”

Sarah McPartlan
Musical Theatre Musings Review

“Jonny Clines as the leading con man was suave and projected the regal feel essential for his unlikely background as a deposed prince … His rendition of ‘Love sneaks in’ was the musical highlight of the show.”

“Charlotte Donald, a superb dancer as well as an excellent singer, was perfect for the part giving it real presence.”

Tony Sweeney
NODA Review

“The highlight is Hughes as Freddy ... so very natural and understated in the role that it is perfectly pitched. From rookie swindler, to devastated sufferer of Dance Fever, to PC-challenging Ruprecht, each role is effortlessly portrayed with comic timing to boot.”

“What I really enjoyed ... was the amount of dance and ensemble movement ... Choreographer Kim Schenkelaars created simple, beautiful routines that seamlessly complemented the songs.”

"Cygnet Players have once again charmed me with their simple and precise portrayal of a show.”

From the House Seats Review

“The comedy duo that really came into their own during act two was Katy Thompson and Russell Bramley. They were perfect together, and their post-coital scene on the balcony was laugh-out-loud funny. Russell particularly had exceptional comic timing throughout.”

“I also absolutely adored all the costumes. The whole show was a rainbow of colour.”

Jess Pether
Sardines Review

"Rachel Kitchen (Elle) was ideal for the role and her transformation from a blonde airhead to a strong savvy woman really gave the show backbone and was delivered to perfection"

Tony Sweeney
NODA Review

"Kate Chesworth played the comedic role of Paulette and this was an example of perfect casting. Her facial expressions alone had me laughing along with Paulette, with the Irish section in Legally Blonde remix being a perfect example."

"This is a fun production which is worth seeing for Rachel Kitchen as Elle alone. It stays true to the spirit of Legally Blonde and they balance the froth on the surface well with its true message of looking beneath the surface. Well done to all at Cygnet players for another success!"

Sarah McPartlan
Musical Theatre Musings Review

Past Show Photos

Sweet Charity

See the show photos!

 

Footloose

See the show photos!

 

The Importance of Being Earnest

See the show photos!